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#Literature

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#OTD in 1773.

Oliver Goldsmith's comedy She Stoops to Conquer is performed for the first time, at the Covent Garden Theatre in London.

Initially the play was titled Mistakes of a Night and the events within the play take place in one long night. In 1778, John O'Keeffe wrote a loose sequel, Tony Lumpkin in Town.

en.wikipedia.org/wiki/She_Stoo

She Stoops to Conquer; Or, The Mistakes of a Night at PG:
gutenberg.org/ebooks/383

#OTD in 1920.

The Blue Flame, a four-act play by George V. Hobart and John Willard after Leta Vance Nicholson, opens at the Shubert Theatre on Broadway before a year's U.S. tour. Though described by a critic as "one of the worst plays ever written," it is a commercial success, largely due to Theda Bara as the central character of a vamp.

en.wikipedia.org/wiki/The_Blue

George V. Hobart at PG:
gutenberg.org/ebooks/author/44

"Les moeurs sont l'hypocrisie des nations."
"Manners are the hypocrisy of nations."

Part I, Meditation IV: Of the Virtuous Woman, aphorism XVI

#OTD in 1850.

Honoré de Balzac marries Ewelina Hańska at Berdyczów. The marriage ends with his death only five months later.

Although he married late in life, Balzac had already written two treatises on marriage: Physiologie du Mariage and Scènes de la Vie Conjugale.

Balzac at PG:
gutenberg.org/ebooks/author/251

“The moral component of history, the most necessary component, is simply a single question, asked over and over again: When it mattered, who sided with justice and who sided with power? What makes moments such as this one so dangerous, so clarifying, is that one way or another everyone is forced to answer.” from One Day, Everyone Will Have Always Been Against This by Omar El Akkad #books #literature #gaza #genocide #occupation #palestine

As if hypnotized, he sank to his knees and said only, "Forgive me, because I do not know."

"You are forgiven, because you know you do not know," Aglie said. "And so, brothers, the prisoner has knowledge that none of us has. He knows even who we are; in fact, we learned who we are through him."

- Umberto Eco, "Foucault's Pendulum"